Director Biography – Christaan Felber (FROM HEAVEN IS CALI)

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Christaan is an award-winning photographer and director. His constant fascination with capturing unique cultures has led him to his directorial debut, From Heaven is Cali, which documents the relationship between the ‘salsa capital of the world’ of Cali, Colombia and the people who’s lives and hearts depend on it.

Christaan holds a BFA from the Rochester Institute of Technology in photography and his work can be seen gracing the pages of publications such as The New Yorker, The New York Times Magazine, Esquire, Rolling Stone amongst many others. His unique eye has earned him multiple awards including PDN’s Top 30 Emerging Photographers, the American Photography awards as well as Fine Art Book of the Year by American Photographer Magazine. When not traveling, he spends his time living between New York City and Los Angeles.

Director Statement

This film was my first attempt at directing. Usually I’m behind the camera as a stills-photographer, but have always wanted to make the leap into directing film. What started out as a trip to Cali, Colombia for my girlfriend’s birthday (she is originally from Cali and served as the producer for this film), evolved into a photography project exploring the world of salsa culture in the “capital of salsa dancing,” and then eventually morphed into a larger documentary film production.

I feel that directing this documentary was a natural progression from shooting stills, since my images tend to explore different cultures and my interactions with subjects share a common goal of trying to portray people in a natural, open, and enthusiastic way. Also, I felt like in this case, still-photography simply wasn’t multi-dimensional enough to properly portray both the energy and the subtlety that exists within the dance culture (the music, the movement, the voices etc).

The entire process was extremely challenging: it was difficult learning to think in a much more narrative way when compared to stills photography as well as obviously learning about the technical aspects of filming, sound-recording and editing. Also, not being fluent in Spanish, it was very challenging to both direct and navigate many of the post-production elements of this project. It was a very ambitious first film that required me to put most of my savings into production fees and to ask many favors from my generous and talented friends. However challenging the production was, it turned out to be equally as rewarding and I’m very grateful to all of the people I met along the way who helped make this thing come to life!

Author: femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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