October 2022 – Festival Highlights & Videos

Showcase of the best FILMS in the world today.

Audience Award Winners:
Best Short DOC: CENTENARY
Best Science Film: MOLECULAR CHIRALITY: A SCIENTIFIC DOCUMENTARY
Best Nature Film: AN ELIXIR FOR THE EXTINCTION OF EXPERIENCE

Watch the Audience Feedback Video for each film:

CENTENARY, 8min., UK, Documentary

Directed by A.D. Cooper
A film created to mark the centenary of a bee keepers’ charity association.

WATCH HERE – The audience feedback video of the film!


MOLECULAR CHIRALITY: A SCIENTIFIC DOCUMENTARY, 14min., UK, Documentary

Directed by Robert Cameron
Chiral molecules come in left- and right-handed forms; discriminating between them can make the difference between life and death…

WATCH HERE – The audience feedback video of the film!


AN ELIXIR FOR THE EXTINCTION OF EXPERIENCE, 11min., USA, Documentary

Directed by Kathryn Antonatos
The threats of the climate crisis are more and more becoming a reality, posing immense challenges to human and ecosystem health, yet it continuously proves difficult to make any meaningful change. We can’t see meaningfully due to a result of our collective “extinction of experience” with nature driven by urbanization, industrialization, and digitization of our worlds.

WATCH HERE – The audience feedback video of the film!


By femalefilmfestival

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes. Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival. This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way. When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival. A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

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