Toronto, Los Angeles, Chicago….and now FINALLY New York City. Anthology Film Archives. 32 Second Avenue (at 2nd St.) Manhattan, NY
Short Film: THE LAST HARVEST, 20min., USA, Documentary
America’s food values are rapidly changing. We are experiencing a food revolution that is demanding better-tasting, natural and sustainable food and yet, we don’t often consider who is responsible for growing this food. The truth is, 75% of the fresh fruit consumed in the U.S. is completely dependent on hand harvesting. Without the workforce to pick the crops, growers are at risk of losing their livelihood.
The Last Harvest offers a rare glimpse into the hopes, hardships, and uncertain futures of three family growers. Harvesters face a harsh reality of tightened immigration control and inefficient guest worker programs that prevent growers from finding a workforce to pick their fields. These problems threaten our availability of fresh food and our vibrant and thriving agricultural community.
We have an opportunity to impact positive change, but first we must understand the issues. Let’s inspire a productive dialogue. Let’s work together on solutions that save family growers who live and contribute to our local communities. The future of good food depends on the choices we make today. Our hope is this is not The Last Harvest.
The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.
Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.
This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.
When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.
A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.