Moonlight is easily the most impressive film I have ever seen. First of all, I’ll give you some stats to ponder. While Avatar took 10 years to make, Moonlight was filmed with only one camera in only 3 weeks. The budget was $1.5 million (274 times lower than Pirates of the Caribbean: On Stranger Tides‘s […]… Continue reading Moonlight (2016) — Luke Atkins – Critic
Author: femalefilmfestival
The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.
Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.
This festival was created by the FEEDBACK Film & Writing Festival as a simple reaction to a strong need to showcase female talent from around the world in a more profound way.
When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.
A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a "HE" character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.
Parasite (2019) — Luke Atkins – Critic
As flawless as it is profound, Parasite is the best film of 2019. It twists through its enigmatic 2-hour tale like a dragon. It whips you, coils around, soars into the clouds, twists & turns, falls through the sky, unleashes fire upon you, and darts into the horizon with a smirk—its tail slapping your face… Continue reading Parasite (2019) — Luke Atkins – Critic
1917 (2019) — Luke Atkins – Critic
You’re stuck in the netherworld between life and death. With just a flask of water and a few cans of food at your disposal, you clutch the 8.8 pounds of your future—ready to fire it at all times. Everything you see, hear, and smell is suddenly converging. Mustard gas in the trenches. A beautiful farm, […]… Continue reading 1917 (2019) — Luke Atkins – Critic
Top 10 Films of the Decade — Luke Atkins – Critic
Honorable Mentions: Parasite, The Master, Ex Machina, Roma, Zero Dark Thirty, The Wind Rises, Citizenfour, Birdman, Hell or High Water, Get Out 10. Fruitvale Station (2013) Fruitvale Station is superb. Based on a true story, it’s about a day in a man’s life. Unarmed, he was killed by police at its end. Playing a real […]… Continue reading Top 10 Films of the Decade — Luke Atkins – Critic
Top 10 Albums of the Decade — Luke Atkins – Critic
Honorable Mentions: Frank Ocean – Channel Orange, Lorde – Melodrama, Tame Impala – Currents, St. Vincent – St. Vincent, Beyoncé – Lemonade, Arcade Fire – The Suburbs, Grizzly Bear – Shields, Fleet Foxes – Helplessness Blues, Chrome Sparks – Sparks EP, Flying Lotus – You’re Dead! 10. Julien Baker – Turn Out the Lights (2017) […]… Continue reading Top 10 Albums of the Decade — Luke Atkins – Critic
The Americans (2013-2018) — Luke Atkins – Critic
This is the best show I’ve ever seen. Game of Thrones and Breaking Bad are up there, but, in my subjective opinion, nothing even remotely compares to The Americans. It begins with quite an impression—and only continues to improve and improve all the way to the finale (the best episode). What struck me first is […]… Continue reading The Americans (2013-2018) — Luke Atkins – Critic
Spirited Away (2001) — Luke Atkins – Critic
Spirited Away is the greatest animated film of all time. But to even call the Oscar-winning masterpiece an “animated film” feels like an insult to Hayao Miyazaki. It’s one of THE GREATEST—animated or not! It’s a game-changer, one that defied the perceived limits of animated films, one that continues to influence brilliant works from the… Continue reading Spirited Away (2001) — Luke Atkins – Critic
Next Festival: Thur. April 30th.
Please email us at festival@lafeedbackfilmfestival.com and we’ll reserve private seats for you FIRST ACT PROGRAM THEO: BEYOND EXPRESSION, 14min., Drama Directed by Lamu Yangchu Theo is a voice actor who lives behind the scenes. This attractive and intimate work has made him a new life when he has this real life where he is stuttering… Continue reading Next Festival: Thur. April 30th.
Director Biography – Liann Kaye (THE BLESSING)
Liann is a Chinese American filmmaker who was born in Hawaii and raised in Scottsdale, Arizona. She studied film at the University of Michigan and currently lives and works in New York City. Since 2015, Liann has served as Director of Video for Global Citizen’s international music festivals, working with artists such as Beyonce, Jay-Z,… Continue reading Director Biography – Liann Kaye (THE BLESSING)
Short Film: THE BLESSING, 5min., USA, Drama/Family
When a timid, midwestern boy decides to propose to his girlfriend, he has to go through her immigrant, Chinese mother first. Project Links Website Instagram